Nn-Xt Auto Map Samples Full Range Of

Nn-Xt Auto Map Samples Full Range Of

Weve collected a vast range of content for Reason, with NNXT formats for its powerful sampler edited by our in house team to give you a full range of control over each sound.

If youre looking for synth bass, classical instruments, vocal chops or big beats, look no further - our NNXT patches cover the full spectrum of sounds and instruments, recorded at 24-Bit quality by studio professionals.

Customise each one with the NNXT multi-mode filter, add LFO vibrato and sculpt your sound using the ADSR envelope.

Our NNXT formatted packs are jammed with content for Propellerheads flagship daw, loaded with custom modulations, play modes and mapped keyzones to put the sounds at your fingertips.

Weve collected NNXT sample packs for techno, drum bass, house, hip hop, edm, trap and more - packed with multi sampled instruments and NNXT loops to level up your sound.

Keep doing this as you scroll down the list, and once youre done you should have all bass drum slices highlighted.

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When Propellerhead got around to creating Reasons flagship sampler, they got a chance to once and for all tackle their main gripe with hardware samplers the lack of a fast and intuitive interface.

With their invariably tiny LCD displays, awkward menu systems, keypad parameter editing and absence of a qwerty keyboard (meaning you had to painstakingly enter sample names like you enter high score initials on an arcade game), most hardware samplers suffered from a bottleneck syndrome in the user interface department it took aeons to program them.

But if that device happens to be an NN-XT, the sky is the limit.

While you cant load multiple patches into an NN-XT through the Patch browser, it is still possible to get any number of patches into it.

The trick is to use an intermediary scratch NN-XT to load the patches, and then copy them one by one into the primary NN-XT.

Through this process you can put build a combo instrument featuring dozens of patches.

Right-click the Group column (labelled G) on the far left of the display and select Copy Zones.

If the Patch consists of multiple Groups, highlight them all and select Create Group.

Right-click the display on the second (empty) NN-XT and select Paste Zones.

Done. All parameters pertaining to Group (such as polyphony, portamento) and Zones (envelopes, filters, outputs etc) have been preserved, so essentially the patch has been cloned with the exception of Global Controls and Main Volume.

Each time you paste in a new one, it will automatically be created as a new Group.

By clicking in the G column you can easily select all Zones within a Group, and when you change a parameter such as Output it will affect all selected Zones a quick and efficient way to route each patch to a separate output pair.

Typically, when you create a combo patch on a hardware synth you will lose the FX settings for individual Patches, but not so with the NN-XT because you can route each Group to a separate output and any number of FX units.

If you for example have a PianoStrings combo, you can switch the Filter off for the Piano, so when you automate the global Freq knob it will only affect the Strings.

You can also experiment with different Filter types for different Groups, e.g.

HP on the first, BP on the second, LP on the third etc, and sweeping the Global Frequency will yield interesting results.

Just like in Dr.REX, the slices are laid out over the keyboard range one per key but the possibilities are much greater thanks to all the additional parameters and functions NN-XT offers: per-slice filter, full ADSR envelope, individual outputs and much more.

Editing slice parameters in the Dr.REX can be tedious if there are many slices, but in the NN-XT you can save a lot of time by dividing the slices in Groups.

Create an NN-XT. Click the browse patch button and load a REX drum loop.

Create a partner Dr.

REX. Load up the same REX file you just loaded into the NN-XT.

Click the To Track button on the Dr.

REX. Drag the created part from the Dr.

REX track to the NN-XT track (you can now delete the Dr.

REX, or keep it around in case you need it later).

Now onto the fun.

First we need to isolate bass drum and snare slices from the rest.

To do this, hold down the Alt key and click on each sample name in the left column to audition the slices.

Whenever you encounter a bass drum slice, hold Shift or Ctrl and click on the sample name.